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           2019  "It Chapter Two" Closes The Book

           30th,  On A Clownish Horror Story

           October




           |  By Brad Balfour           and scents along with the      Starring Jessica Chastain,      “Maleficent: Mistress of
                ince Summer’s season    standard video and audio.”   James McAvoy, Bill Hader,
           EXAMINER  SFall's  anticipated  almost  stimulating  even  James Ransone, and Andy Evil” Proves That She’s Very
                of horror has ended,
                                                                     Isaiah Mustafa, Jay Ryan,
                                           Well, it did just that,
                    surprises
                               should
                                        more terror thanks to a feel-
                                                                                                    Much More Than Just That
                                                                     Bean as the adult versions of
            shock
                                                                     the Losers' Club, it’s fun to
            have been around the cor-
                                        ing of nearly falling out of my
           IRISH  ner  all  the  way  into  seat every few minutes. Both  see how they all compared to
            Halloween.
                             Yet,
                                   “It
                                        “Its” are directed by Andy
                                                                     their childhood counterparts
                                        Muschietti, written by Gary
                                                                     — played by Jaeden Martell,
            Chapter Two” won so
            many fans this September,   Dauberman and are based on   Sophia Lillis, Finn Wolfhard,
            that it outsold other hor-  Stephen King’s 1986 novel.   Chosen Jacobs, Jeremy Ray
            ror movies and is still stir-  Split into two sections 27  Taylor, Jack Dylan Grazer,
            ring fans of the Losers     years apart from each other,  and Wyatt Oleff reprise their
            Club, the kids featured as  the second is set in 2016,   roles as the younger Losers.
            the survivors in the first  when evil Pennywise the        Once “It Chapter Two”
            “It.” Now they aren't kids  Dancing Clown (again bril-   runs through its plethora of
            anymore, and “It Chapter    liantly rendered by actor Bill  terrifying scenes, audiences
            Two” delivers memorable     Skarsgård) returns to terror-  start to get a sense of where
            scares as a terrific compan-  ize  Derry,  Maine.  Now   Pennywise came from and
            ion to the previous film.   adults, the childhood friends  what it really is. Then the
              While “It Chapter Two”    who made up the Losers'      film shifts into being more of
            offered enough moments of   Club — which defeated him    science   fiction  thriller.
            fright and shock to serve up  those many years ago are   Though the movie offers an
            the scares, there was more to  forced back together. Gone  internal logic to Pennywise
            my experience of the film.  their separate ways, they are  torturous antics, it offers  By Brad Balfour
            Enhanced by the roller coast-  still trying to recover from  more answers than necessary.  Given that “Maleficent: Mistress of Evil” is a sequel and
            er ride of the Regal’s 42nd  their first encounter. But    But much like its prede-    inspired by Disney's classic animated film, this Maleficent does-
            Street E-Walk Cinema’s 4DX  when people start disappear-  cessor, “It Chapter Two”    n’t appear as much of an evil sorceress as the title suggests, and
            screening room, seeing this  ing, Mike Hanlon calls the  garnered praise for the act-  with Angelina Jolie playing the lady mage, she looks pretty good
            movie provided a perfect    others back home to make     ing  (particularly  Hader,   even when showing a hint of fang and an occasional scowl. This
            opportunity to try out a new  one final stand because he  Skarsgård and Chastain)     recently released, digitally enhanced feature is less about being
            style of motion picture-view-  believes he’s found a way to  and faithfulness to King’s  bad and more about being conflicted. She loves her adopted
            ing. Using a technology     fully defeat this seemingly  tome. Though more pre-       daughter Aurora but distrusts humanity in general and the King
            owned and developed by a    supernatural monster who     dictable shocks — at least   and Queen of the neighboring kingdom of Ulstead even more.
            South Korea’s the CJ Group,  feeds  on   human    fears.  compared to its predecessor    While Elle Fanning provides the dose of innocence needed
            4DX,   as  their  literature  Though damaged by their    — may have diminished the     for Aurora to connect, she also looks a little too much like a
            describes it, “allows a motion  past, the united Losers must  sequel a bit, it nonetheless  tween to be consistently convincing that she’s ready for mar-
            picture presentation to be  conquer their fears to destroy  make for perfectly horrific  riage and children. Nonetheless, her relationship with Prince
            augmented with environ-     the shape-shifting Pennywise  fare — whether viewed in    Phillip (with Harris Dickinson replacing Brenton Thwaites from
            mental effects such as seat  -- more powerful than ever —  that special screening space  the first film) endears while some of his other actions seem less
            motion, wind, rain, lights,  once and for all.           or not. C                    than sensible.
                                                                                                     But the best part of this sequel is Michelle Pfeiffer's skill at
                                                                                                  being the nasty, deceptive Queen Ingrith. Pfeiffer does evil well
                                                                                                  and turns the tables on everyone with just the right amount of
                                                                                                  self-justifying nastiness to make her expected comeuppance sat-
                                                                                                  isfying.
                                                                                                     Embracing by a complex mythology and backstory — some-
                                                                                                  thing of a departure from “Sleeping Beauty,” the original classic
                                                                                                  Disney cartoon that inspired this live-action series — this
                                                                                                  Maleficent is far more like a living being — emotional and con-
                                                                                                  flicted. Jolie adds depth and even a dose of camp; Fanning’s inno-
                                                                                                  cence and light.
                                                                                                     As a sequel to the 2014’s “Maleficent,” this film comes out of
                                                                                                  Disney’s universe, so it can only go so far. But it offers some rich
                                                                                                  alternate world building and greater detail to the characters who
                                                                                                  were first set into motion in the first film. With a solid cast con-
                                                                                                  sisting of Sam Riley, Imelda Staunton, Juno Temple and Lesley
                                                                                                  Manville returning to their previous roles; and Chiwetel Ejiofor,
                                                                                                  Ed Skrein and Pfeiffer join the cast as new characters, the film
                                                                                                  comes alive.
                                                                                                     Though it received mixed reviews, with some criticism lev-
                                                                                                  eled at a "muddled plot and overly artificial visuals,” the per-
                                                                                                  formances made the film far more convincing than expected.
                                                                                                  And between the detailed costumes and production design, the
                                                                                                  films’s a wonder to view and one to provide some great cos-
                                                                                                    tumes ideas for Halloween .C
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